We’ve featured his work before and here we are featuring it again, but we reserve the right to feature it as many times as we like, as we really can’t get enough of the masterful kinetic sculptures of Swiss artist Zimoun. According to his admirers, Zimoun “is best compared to a watchmaker of a self-reproducing time, constructing his own gauging station.” But as far as we’re concerned, it really isn’t as complex as all that; Zimoun’s appeal comes from his ability to turn simple, functional objects into extraordinary sensory experiences.
Walk into one of his sculptures and you’re confronted with a wall of undulating percussion generated by motorised cork balls on cardboard. Simple enough, but the experience of hearing this sound is unlike anything you’re likely to confront outside of his structures and has the soothing effect of rain on a window or the distant humming of a fridge. And unusual watchmaker he may be, but his intentions seem to be more about human experience than metering time.
You can see Zimoun’s Emerging Microstructures from February 2 at Auditorium, Rome.
- The sun is out, and Best of the Web is here to offer some shade
- Jonathan Castro’s vibrant designs are a realisation of his research and exploration
- Friday Mixtape: top picks from ten years of Field Day
- A retrospective look at Latif Al Ani’s photographs of Iraq’s “golden age”
- Olimpia Zagnoli illustrates How to Eat Spaghetti Like a Lady
- Cost-effective, beautiful shit: an interview with the Deadbeat Club
- YouTube releases its first own-brand font, YouTube Sans, inspired by the play button
- Inside Susan Kare’s sketchbooks are the makings of Mac’s graphic interfaces
- The return of the hovering art director: we asked comic artist Nadine Redlich to peer inside agency life
- Photographer Raymond Rojas captures the “magic” in Disneyland Paris
- Stefan Sagmeister speaks to It's Nice That about The Beauty Project
- Seattle-based illustrator Kelly Bjork depicts languid ladies and neat interiors