We’ve all heard the phrases “you are what you eat” or “a moment on the lips, a lifetime on the hips” which unconsciously barge into our thoughts seconds before we bite into a second helping of delicious guilt drizzled cake. With this in mind it’s far too tempting when speaking about Paris-based artist Mathilde Roussel to say we’re hungry for more. Limping cliches aside, the politics and importance of food to our existence is central throughout Roussel’s Lives of Grass. Her living grass sculptures marry recycled materials with soil and seed to create a living representation of life, growth, and inevitably decay.
“These sculptures” says Mathilde, “strive to show that food, its origin, its transport, has an impact on us beyond its taste.” It appears that by observing nature unfold before our eyes, we are led towards an awareness of how we all are connected to the world’s food cycles. Mathilde continues that this enables us to better understand issues of abundance, of famine – and “allows us to be physically, intellectually and spiritually connected to a global reality.” Living Grass certainly offers up more than an explosion of flavour providing some nourishing food for thought.
- The sun is out, and Best of the Web is here to offer some shade
- Jonathan Castro’s vibrant designs are a realisation of his research and exploration
- Friday Mixtape: top picks from ten years of Field Day
- A retrospective look at Latif Al Ani’s photographs of Iraq’s “golden age”
- Olimpia Zagnoli illustrates How to Eat Spaghetti Like a Lady
- Cost-effective, beautiful shit: an interview with the Deadbeat Club
- YouTube releases its first own-brand font, YouTube Sans, inspired by the play button
- Inside Susan Kare’s sketchbooks are the makings of Mac’s graphic interfaces
- The return of the hovering art director: we asked comic artist Nadine Redlich to peer inside agency life
- Photographer Raymond Rojas captures the “magic” in Disneyland Paris
- Stefan Sagmeister speaks to It's Nice That about The Beauty Project
- Seattle-based illustrator Kelly Bjork depicts languid ladies and neat interiors