There’s a famous clip of Norwegian TV presenter Bjorge Lillelien chastising the English after his country saw off England in a football world Cup qualifier. “Lord Nelson! Lord Beaverbrook! Sir Winston Churchill! Sir Anthony Eden! Clement Attlee! Henry Cooper! Lady Diana! Maggie Thatcher – can you hear me, Maggie Thatcher? Your boys took one hell of a beating! Your boys took one hell of a beating!” Its curious mix of political grandees, a princess and a boxer combine to see it regularly voted the best bit of commentary of all time and ever since I have had a grudging admiration for Norway and Norwegians.
Until now it has just been Bjorge Lillelien who I can hang my Norway-loving hat on, but now I can add the fine people at Grandpeople who have been producing consistently excellent graphic design, photography, illustration and creative direction for years now and their prodigious output shows no sign of slowing down. A host of new work added to their website this week includes many of their trademarks – strikingly simple visuals, fantastic use of texture and a bombastic talent for colour.
- Hippolyte Cupillard’s film follows the dreamlike ascent of a mountain climber
- Meet the speakers: Frances Corner, Yukai Du, Akinola Davies and Simon Landrein
- Illustrator Antoine Cossé talks about the highs and lows of creating comic books
- How Greg Barth and Droga5’s surreal, retro-futuristic ad for MailChimp was made
- Llewellyn Mejia's paintings created in between commercial projects
- Robert Nicol’s brutish but spirited illustrations spanning artistic mediums
- The return of the hovering art director: we asked comic artist Nadine Redlich to peer inside agency life
- Photographer Carlota Guerrero depicts the female body as a canvas for Apartamento (NSFW)
- After Disney, Nickelodeon and Cartoon Network, Miranda Tacchia’s characters found life on Instagram
- How to go freelance: need-to-know advice from creatives who made it
- YouTube releases its first own-brand font, YouTube Sans, inspired by the play button
- Photographer Raymond Rojas captures the “magic” in Disneyland Paris