George Rouy’s figures are inspired by “gormless faces” and “erotic fighters”

Date
3 July 2017

Hustling figures and erotic fighters form the spine of London-based artist, George Rouy’s work. By taking inspiration from his experience watching Detroit producer Omar-S perform, George’s latest project Danced to Death portrays human nature’s more surreal aspects. 

“Everyone was dancing with these gormless faces and I think the idea just went from there. I like the image of them being nihilistic, a bit like when The Simpsons depict the Sonic Youth fans,” says George. “I would say there is a direct link between the dancers and fighters, and I enjoy that they are both quite erotic. There is a primal element to the figures.”

Rather than showing an explicit narrative, George “chases a feeling” and channels this perception into his characters. “The tilted heads in some of the figures make a reference to frustration and things being broken. I would say every series has an awareness for what’s currently going on, both in myself and in the world,” he says. “I like to depict a sense of beauty paired with darkness, either within their expression or pose. I am quite specific with these poses and it takes me a while to get the right balance.”

“I’m very particular about how the faces look and it drives me mad when I can’t get it right; a problem that can arise is that the paintings can become overworked,” he says. Since switching from oil to acrylic — and combining the two — George has experienced a few learning curves when it comes to putting paint to canvas. “How I apply the paint is very important and it’s always mistaken for air brush. When you see the work in person I think you can see it isn’t as it is: it’s a lot softer, and when it’s overworked it loses this quality.”

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George Rouy: Danced to Death

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George Rouy: Dancer

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George Rouy: Dancer

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George Rouy: Horse

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George Rouy: Paddle Art

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George Rouy: Danced to Death

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About the Author

Ayla Angelos

Ayla is a London-based freelance writer, editor and consultant specialising in art, photography, design and culture. After joining It’s Nice That in 2017 as editorial assistant, she was interim online editor in 2022/2023 and continues to work with us on a freelance basis. She has written for i-D, Dazed, AnOther, WePresent, Port, Elephant and more, and she is also the managing editor of design magazine Anima. 

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